摘要
当前的通俗音乐是新时期流行文化中最活跃的一种,是以高科技的大众传媒为依托,以人才、智力和创造力为主要特征,以都市大众为消费对象,按照市场规则批量生产,集中满足人们感性娱乐的文化形态,其文化内涵也大多是非主流的,造成了新的文化矛盾和冲突。在市场规则和经济效益占据主导地位的今天,如何历史地看待审美标准,平衡地对待通俗音乐带来的精神与物质导致新的人性冲突和裂变,却是值得我们思考的。
The pop music today, regarding city masses as the consumption target, is one type of the neo-culture, which is based on high technological mass media and mainly featured with the talents, intelligence and creativity. The pop music produced at a large scale according to the principles of the market is to satisfy the emotional entertainment of the people. However, its cultural connotation mostly does not belong to the mainstream, and as a result new cultural conflicts and impacts appear. Nowadays, as the market principles and the economic profit occupy the dominating position, so what is really worth being considered is how to treat the aesthetic criteria historically, and how to deal with the impacts of humanity equally that is caused by the spirit and the substance brought by pop music.
出处
《郑州大学学报(哲学社会科学版)》
CSSCI
北大核心
2005年第3期164-166,共3页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition
关键词
现代通俗音乐
娱乐性
流行文化
开放性
市场化
modern pop music, openness,market-oriented, secularize, standardization,individuation, entertainment, shared cultural space, hierarchical culture, impetus of new economy