具象与具象衔接

Icon and Iconic Cohesion

具象是再现人类经验和反映自然世界的可视的形象与造型。视觉诗能以语篇独特的排列形式,展示出一幅耐人寻味的语篇具象。这种具象不但是视觉诗语篇直观的表意手段,而且还是重要的语篇衔接手段。本文以韩礼德的语篇衔接理论为指导,以语篇具象为切入点,系统描述视觉诗语篇具象的各种衔接手段,以此揭示具象在视觉诗语篇生成中的衔接功能。

An icon is a visible figure and model which can reappear human experience and reflect the natural world. A concrete poem can show an attractive visible icon through a special form of layout. Such an icon is not only a directly perceived device to express meaning, but also an important device to make cohesion in the text of concrete poem . Based on the theory of textual cohesion made by systemic functional linguist Halliday, this article, taking the textual icon as the starting point, will give the concrete poem a systematical description to the different cohesive devices in order to show the cohesive function of icons in the textual production of concrete poems.