摘要
中外作家“文心相通”。贾平凹和杰克·伦敦以狼为主题的小说,都以狼为生命力的艺术符号,表达了对强健的人性理想和文明的向往;对人性中的“狼性”,尤其是动物本能在特定状态下“迷狂”的艺术解剖,展现出作家对人类文明的疑虑和对人生存境遇的关注。不同在于,杰克·伦敦以狼的艺术视角反观人类行为,张扬社会达尔文思想和“超人哲学”,也有对人性异化和社会文明的批判,流露出对爱和人道主义的呼唤;《怀念狼》对人性中“狼性”的艺术开掘,隐含了作家对当下人类困境的忧虑和对东方“天人合一”观的怀念,给人以哲理启迪。两位作家关于“狼”的小说艺术,极富哲学意蕴,异曲同工。
Pingwa Jia and Jack London both wrote the novels which theme was describing about wolves' actions and living conditions. As a Chinese writer , Pingwa Jia described wolves' instinct to discover the basic instinct of the human being, expressed his harmonious ideas between the nature and the human being and the orient aesthetic style were showed in his novel ‘Missing wolves’. Compared with Pingwa Jia 's novel, (Jack's) novel 'A Cry from the Wilderness' described wolves with the eyesight of the human being, brought out the philosophical thoughts of superman, and displayed a rational characteristics. Two writer's novels both made a good philosophical thoughts to the crisis of the human society.
出处
《兰州交通大学学报》
CAS
2005年第2期14-18,共5页
Journal of Lanzhou Jiaotong University
关键词
“狼”主题小说
比较
人性审视
艺术视角
哲学意蕴
wolf-theme novel
comparison
humanity observation
art view
philosophical sense