出走以后怎么办?——20世纪中国家族小说中出走者的归宿及意义

What if after leaving——Homes and meanings of the persons who left homes in the Chinese saga novels in the 20th century

20世纪中国家族小说中出走者的归宿主要有三种:一种以《金粉世家》中的冷清秋和《激流三部曲》中的觉慧为代表,离家出走后独立地生活。不过,冷清秋是物质生活独立了,而精神未得独立;觉慧是精神独立了而物质生活没有独立。一种以《财主底儿女们》中的蒋纯祖和《四世同堂》中的祁瑞全为代表,离家流浪,并在流浪中塑造了新的自我。一种以《财主底儿女们》中的蒋少祖和《旧址》中的李紫痕为代表,回归家族及其文化。这三种归宿具有不同的社会、文化和历史的意义,也表现了作者不同的思想指归与客观历史环境对作者的不同影响。

There are mainly three kinds of homes of the persons who left homes in the Chinese saga novels in the 20th century: One regards Leng Qingqiu in 'Gold Power Aristocratic Family' and Juehui in 'Rapid Stream Trilogy' as representatives. They lived independently after running away from home. But Leng Qingqiu had the material life independence, not the spiritual independence; Juehui had the spiritual independence but not the material independence. The secnd regards Jiang Chunzu and Qi Ruiquan in 'Family With Four Generarations' as representatives. They left home roaming, and had molded self- the new one in roaming. And the third regards Jiang Shaozu in 'The Dives's Children' and Li Zihen in 'Old Address' as representatives. They returned to the family and culture. These three kinds of homes have different meanings in society culture and history, and display the author's thought limitation and the objective historical environment limitation.