宋元之际诗学理论的不同探索——周弼、范晞文、方回诗学个案分析

Probe into the Differences between the Poetic Theories of the Song Dynasty and the Yuan Dynasty——Analysis of poetic theories of Zhou Bi, Fan Xiwen and Fang Hui

周弼《三体唐诗》、范文《对床夜语》、方回《瀛奎律髓》是宋末、元初三部重要的诗学理论著作。三者都是就近体诗或着重就近体诗而言的;三部书都以“情景论”为其重要理论基础。但在诗学旨趣、理论核心、宗法对象、排击对象上又有差异。同反江西诗派,周弼看重许浑,范文高标杜甫;都宗杜诗,但范文推崇杜夔州前声色流动之作,方回则青睐夔州后瘦硬松劲之诗。

This article discusses three important works of poetic theories written by Zhou Bi, Fan Xiwen and Fang Hui,appearing at the end of the Song Dynasty and the beginning of the Yuan Dynasty. Three works are all based on the 'Theory of Scene' but with different objectives,cores of theory,and targets of religion and etc.