摘要
元代绘画是以“表意性”著称于世,但在这种表意性的前提下,不能忽视“写实性”对元代绘画的影响。写实前提下的表意才是元代绘画的时代风格。时代风格必然对个人风格产生影响,没有可以脱离时代风格而独立存在的艺术家和艺术品。艺术家对个人风格的选择总是自觉和不自觉地服从于时代风格的规范。这些可从元代“李郭”传派和“董巨”传派的画家对自己绘画的表现风格和师承关系的选择上得到证明。元代“李郭”传派画家的创作技法是受到表现对象制约的。
Paintings of the Yuan Dynasty are famous for “expression of subjectivity”, but in consideration of this term, the impact of “expression of objectivity” in these paintings could not be omitted. It is the “expression of subjectivity” under “objectivity” that institutes the certain style of these paintings. There are no artists and masterpieces that could isolate from the time and come to exist independently by reason of impact of the time on the individuals. Artists’ favour on the individual styles always is subjected to the time. It could be proved from “School of Li-Guo” and “School of Dong-Ju” in the Yuan Dynasty on their favour of styles and influences. The painting techniques of “School of Li-Guo” also is limited to the subject of matters.
出处
《重庆大学学报(社会科学版)》
2005年第3期98-101,共4页
Journal of Chongqing University(Social Science Edition)
关键词
元代绘画
时代风格
写实性
李郭画派
paintings of the Yuan Dynasty
style of the time
expression of objectivity
school of Li-Guo