摘要
没有可靠的证据可以说明北宋后期文学家晁冲之曾入大晟府或是一位大晟词人。其词力避柳永的俚俗,也不走苏轼的革新道路,具有婉约雅丽的特色,表现出复归以花间词为代表的传统词风的倾向;而在讲究章法和音律方面,它则与周邦彦词构成同调。晁冲之可被视作李清照"别是一家"词学主张的实践者。
It is controversial that Chao Chongzhi was once admitted into Dasheng Music Bureau or was a member of this school. Contrast to Liu Yong's vulgar style and Su Shi' reformative idea, Chao's Ci poems are subtle and elegant, and shows preference to traditional style with Huajia Ci (Among Flowers) as representative. In terms of organization and temperament, he shared some similarities with Zhou Bangyan and was regarded as a practitioner of Li Qingzhao's ideasbeing different from others.
出处
《西北民族大学学报(哲学社会科学版)》
北大核心
2005年第2期103-108,143,共7页
Journal of Northwest Minzu University(Philosophy and Social Sciences)