摘要
对清淡美的崇尚,是唐代中期以后中国士大夫阶层一种普遍的审美心理。本文借助原型批评理论,从远古社会的特点和原始的自然崇拜入手,探寻这一普遍审美心理的核心意象(水、玉、月)生成的过程与原因,揭示这一影响深远的审美心理的深层文化蕴涵。
It is a common psychology to uphold light aesthetic for China literati and officialdom after middle period of Tang Dynasty. In perspectives of prototype literature theory and primitive natural worship, this article explores some key images in remote antiquity: forming process and origins of water, jade, moon, and announces the cultural implications of the common aesthetic psychology.
出处
《中国人民大学学报》
CSSCI
北大核心
2005年第3期127-133,共7页
Journal of Renmin University of China
关键词
水
玉
月
清美
water
jade
moon
light aesthetic