试论《赵氏孤儿》与《哈姆雷特》之不同审美个性

Different Aesthetics on the Same Matter——Discussion of the two different aesthetic characters, Zhao’s Orphan and Hamlet

由于中西悲剧具有不同的审美个性,所以同为复仇母题的《赵氏孤儿》和《哈姆雷特》在悲剧冲突性质、人物塑造手法、主人公社会地位和结局等方面都存在着不同的旨趣。但这些不同并不能作为评判悲剧优劣的标准,更不能作为衡量剧本是否是悲剧的标尺。实际上,中西方不同的文化传统和审美心理,造就了彼此不同的悲剧表现形态。

Because of the differences between the Chinese and the western tragedies, the same motifs matter, the revenge on one’s foe, displays in the two tragedies— Zhao’s Orphan and Hamlet— various purport in such aspects as the conflicting quality of the tragedies, the technique of characters-shaping, the social class of protagonist, finale and etc. However, these differences cannot be regarded as the standard of evaluating whether a tragedy is good or not, nor can it be the standard of weighing whether it is a tragedy or not. Actually, it is the different cultural traditions and aesthetic psychology that mold the two various forms of tragedy.