摘要
20世纪90年代以来,王安忆的创作不论是在纵向的自我比较中还是横向的同行比较中都发生了很多变化。她以家常生活作为载体,关注人的心灵世界,创作出独特的更具震撼力的普通人的传奇。在当代的背景下,她继承又颠覆了中国传统的创作手法,不以虚、反以实创造出意境之美,寻找到了工笔和写意之间独特的平衡点;拓宽更新了语言的使用,增强了文字的表现力。
Since the 1990s, a lot of changes have taken place in the creation of WANG An-yi either in a vertical one in comparing oneself or horizontal counter part. She pays close attention to the soul world of people and creates unique powerful legend of ordinary people by the carrier of the daily life of a family. Under the contemporary background, she had inherited and subverted China's traditional creation tactics with fact instead of creation beauty of artistic conception and find the unique point of balance between fine brushwork and freehand brush work. Have widen and upgraded the use of language, has strengthened the expression of characters.
出处
《河南教育学院学报(哲学社会科学版)》
2005年第3期53-56,共4页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词
家常生活
皴法
新型通感
抽象具体化
具体抽象化
the daily life of a family
wrinkle method
new type open sense
specify abstractly
melt concretely and abstractly