释“假体”

ON FALSE STYLE

“假体”说最早由《二十四诗品》提出。其中“假体”有两义:一是假借形体;一是非常规体。“假体”是文明的异型写作,它打破常体局限,营造多重假象,开启异在之门。“假体”文学的本真品格在于突破名、言局限,否定文、学疆域,开掘思、诗意蕴,涵茹人、道因缘。在文学与历史交叉耦合的边缘,“假体”言说志在构建动静、空有、真假互化互动的诗性缘构域。认识“假体”在文学史中的重要价值,是我们切入文学考古学的一把重要钥匙。

False style was proposed firstly by Twenty-four Poem Grades.False style has two meanings:one is to borrow style;the other is informal style.False style is another writing of civilization.Its characters are to break through the limitation of concept and language,to deny the boundary of literature and learning,to display the meaning of thought and poetry,to involve the karma of human beings and Tao.It’s the key to study literature.