摘要
真正意义上的法国学派或“影响研究”既非克罗齐的檄文中所抨击的那种研究范式,亦非美国学派所责难的那种狭义研究,而是一种吐故纳新、激浊扬清的呈递进式发展走向的科学研究。换句话说,它通过扬弃与嬗变,不仅化解了重重“危机”,而且始终固守了比较文学之生命线———“文学性”和生存之根———“可比性”,从而既张扬了自身之所长又避开了其它学派之所短。
Of all the specific study approaches of comparative literature, the French Influence Study was for many years the object of strong criticism because of its positivistic scholarship method. However, it turned out to be a most controversial, yet vital, essential and scientific approach owing to a series of crises and consistent abidance by the three cardinal principles (crossing, comparability and literariness ) of the discipline.
出处
《西华师范大学学报(哲学社会科学版)》
2005年第1期53-57,共5页
Journal of China West Normal University:Philosophy & Social Sciences
关键词
扬弃
嬗变
文学性
可比性
sublation
innovation
literariness
comparability