摘要
要论清初山水画坛，首先应从“四王”说起，所谓“四王”，乃清初的王时敏、王鉴、王石谷、王原祁的合称。
The article analyzes the landscape paintings imitated by Wang Lutai and has found that the so- called 'imitation' reflects the respect, understanding, continuation and innovation of transitional styles of the predecessors. It is an expression of a cultural mindset of historical regression.
出处
《收藏家》
2005年第6期69-72,共4页
Collector
