石涛与海德格尔艺术场有境界论之比析

On the state theory of artistic field by Shi Tao and Martin Haidegger

明清时期,中国画坛革新派代表石涛提出的"一画"论,与西方现象学大师海德格尔基于对真理本质思考得出的艺术"澄明"之境,具有相通的内涵。实质上,从艺术本体的角度看,两者都属于"界面性"的"场有"境界,以追求"自然"的"神"境为旨归。

In the Ming and Qing Dynasties, Shi Tao as the representative of the reform party in the Chinese painting circle, put forward the theory of 'yihua' in his work. It is similar to 'lighting' proposed by Haidegger, a great master of the Western phenomenology, who pondered over the essence of truth and advocated the theory. Virtually 'yihua' and 'lighting' both belong to the interfacial state of field and seek after the 'spiritual state' of nature.