摘要
长期以来,在有关传统文人画的研究中,往往是谈形式的多,论内涵的少,这极不利于对文人画的全面认识,也不利于对传统艺术的继承和发扬。其实,文人画的本质和灵魂只有从文人画家的身上才能找到它的根源,尤其是文人画家深厚的学养和举世高标的人格魅力,充分展示了中国古代文人、学者的人文精神和审美理想,也造就了文人画所特有的超逸的艺术风格。
For research and the appraisement of scholar drawing, since long-term talk about much theory intension of form lose, this very disadvantage in the overall knowledge for scholar drawing, also disadvantage in the art for tradition inherit and develop. Actually, scholar is essential as drawing with soul also can only from scholar painter then can find its source, especially scholar painter deep study raise and lift lifetime the personality glamour that marked high, the humanity that has demonstrated Chinese ancient scholar and scholar fully is spiritual, have also brought up the unconventionally graceful artistic extent reached had by scholar drawing.
出处
《南阳师范学院学报》
CAS
2005年第5期113-117,共5页
Journal of Nanyang Normal University
基金
河南省教育厅人文社会科学项目(2004-QH-016)