《出鼓子》非“同均三宫”论

Chuguzi Is Not “Three Equal Gong”

依据“均、宫、调”理论进一步分析,内蒙古二人台牌子曲《出鼓子》存在“多均”、“多阶”的可能。认为以往的结论属“人为”的“主观因素”制约的结果。其中,由于“宫调号”的运用、“中立音”的处理过于牵强,与“均、宫、调”理论相悖,故导致“技术上”缺乏实践基础,理论上难以自圆其说。从而失去了“真实性”和可信度。

Through the analysis on the Gong Mode of the Chuguzi, a kind of music of inner Mongolia's Errentai, the author raises questions on the former conclusions. He believes that the theory of “three equal Gong” lacks practical basis, which makes the theory not perfect and too subjective and not convincing enough.