当代艺术何去何从

What Course Should Contemporary Art Follow

从1979年“星星美展”到1985年“美术新潮”再到1989年“中国现代艺术展”,这意味着当代艺术在中国这块古老的土地上萌生了。它宣泄、反叛,时时冲撞着古老的大门,对峙造成了极端,投机分子钻了空隙,造成了今天的现状:何为大师?何为艺术?大家都在呼吁、寻找。一个个艺术家,都想见缝插针,留下一个不朽。艺术进入多元化、市场化的今天,艺术界许多奇闻异案的接踵而至,使我们不得冷静地沉思一下。古韵之美为何流传千年而仍令人心潮澎湃,感动之余甚至泪流满面,我们后起之秀做了些什么呢?本文着重从当代艺术的本身角度(反叛、解构与倾向)、面临的现状(市场化与多元化)去初探中国当代艺术的底线。

From 'stars art exhibit'in 1979 to ' fine arts modish 'in 1985 and then to 1989 'China's modern art exhibition', this has meant germinating on this old land of China of contemporary art. It leads off, revolts, often offends the old gate , it causes the extreme to confront each other, the opportunist has bored the space, it has caused today's current situation : What is a master? What is art? Everybody is calling upon, looking for artists, all want to seize every opportunity, it is immortal to leave one. Art enters pluralism, market - based today, the coming one after another of different case of a lot of intriguing stories of art circles, make us not have to ponder calmly. Why spreads in millennium and still makes people feel excited ancient musical sound is beautiful, even have one' s face covered with tears after moving, what have we up-and-coming youngsters done? This text focus on from contemporary one's own angle (revolt , is it constructed and inclined to solve ) of art, current situation (between marketization and pluralism ) that face is to visit China contemporary bottom line of art for the first time to go.