摘要
20世纪30年代和60年代,因得特殊的社会文化生态的催化,出现了散文创作和理论批评互动共荣的"散文年"。就理论批评而言,30年代关于小品文的争论,形成了小品文理论的某种框架;60年代的"笔谈散文",其对散文"多样化"和"诗化"的倡导,在非常年代拓宽散文的表现空间、矫正散文非艺术化的偏向,别有意义。
1930s and 1960s witnessed the prosperous interactions between essay writing and theorectical criticism thanks to the special social and psychological conditions of those times.The theoretical criticism in 1930s debated on essays and formed the theoretical framework for essays.The criticism in the 1960s advocated the diversity and the poetry tendency of essays so as to rectify the non_art tendency of essays.
出处
《常熟理工学院学报》
2005年第3期16-21,共6页
Journal of Changshu Institute of Technology