摘要
在二十世纪末至今的视觉舞台上,时装摄影广告可能是最为丰富多彩,令人眼花缭乱的一席演出。而这一幕幕演出显影于相纸上,对时装产品本身的常规画册的拍摄制作根本无以满足促进消费者购买动力的需求,时装摄影师早已展开新的社会视角,以其异常敏锐的观察力,极度的激情,对本时代精神最精确的,高度概括的反映,给予时装广告更丰富的寓意。
On the version stage since the end of the twentieth century, modern photographic advertising is colorful and fruitful performance. The advertisement of photographing of normal fashionable clothes may be not enough to the demand of the promoting consumer. photographer has already launched the new social visual angle with fashion, with its unusually sharp outsight, extreme passion, which is the most accurate to this spirit of the times, the reflection that is highly summarized, offer the more abundant implied meaning of an advertisement of fashions.
出处
《武汉科技学院学报》
2005年第7期34-36,共3页
Journal of Wuhan Institute of Science and Technology
基金
武汉科技学院美学重点学科基金项目(项目编号:2003P1012).
关键词
后现代
人文精神
社会关系新视角
生活方式
post- modern
humane spirit
the new visual angle of social relationships
life style
