摘要
南宋中兴词人以词纪事,以词为陶写之具,使词真正具有了以词存史的“词史”特质。这一特质在一定程度上是通过感事而发的文本结构模式来实现的。在这一模式下,跨时空、多角度的表情叙事方式,不仅使词作摇曳多姿,而且深化了词作的审美内涵。中兴词人也多能从抒情的美学趣味出发,在词中直接叙事、议论,其中题序功能的增强是词作叙事功能增强的一个不可或缺的因素。
The Zhongxing-ci poets of the Southern Song dynasty tended to record historical events in forms of ci-poems, and make ci-poem a tool to express their thoughts and feelings, and actually gave ci-poems the char acter of history preservers. This character of the ci-poem is, to a certain extent, realized in the textual structure of models expressing-on-events. Such a time-and-space spanning, multi-perspective baring of hearts on events not only helps rendering ci -poems to be rich and colorful, but deepens their aesthetic connotations. Poets of this genre could also pursue aesthetic interests in their lyrical ci-poems by carrying on narrations and discussions of events in them, and the preface buildup is indispensable in heightening the narrative function.
出处
《中国社会科学院研究生院学报》
CSSCI
北大核心
2005年第3期57-61,共5页
Journal of Graduate School of Chinese Academy of Social Sciences