摘要
柳宗元的悲怨文学,在题材、形式、表现手法上有其因袭性和创造性。其因袭性主要体现在对《楚辞》借古咏今、悲秋咏怀、香草和臭物比兴、“消释模式”的借鉴;其创造性则表现在善于借友人、亲属不得志或去世实例哭诉自己的遭际,利用生活中的事物如地理、气候、植物、动物、器物等等,渲染、衬托、比喻自己的悲愁怨恨。
This thesis presents Liu Zongyuan's inheritance and creativity in the subject matter,forms and technique of expression in his works concerning grief and indignation.His inheritance is mainly embodied in its borrowing of Chucis writing modes,for instance,the usage of the past to chant the present;feeling sorrowfull with the approach of autumn;the comparison between herbs and sordes as well as the “dispel pattern”.While his creativity is reflected on his whinning about his misfortune by using the concrete cases of his friends or relatives who could not achieve their ambitions or unfortunately pass away;using daily objects such as geography,climate,plants,animals and utensils etc,to color,set off and compare his own worry and resentment.
出处
《柳州师专学报》
2005年第2期9-14,共6页
Journal of Liuzhou Teachers College
关键词
柳宗元
悲怨文学
艺术表现
Liu Zongyuan
creation of grief indignation
technique of expression