摘要
本文着重从哲学本体论的角度来审视文学作品中的“怀旧”意识以及它在文学文本中的呈现。本文深入到民族文化传统的内部去寻找“怀旧”意识产生的理论“生态环境”,并探索“诗人还乡”所要归回的“生活世界”。文艺作品中的个人性“怀旧”是一种审美活动 ,经过艺术表达之后的“怀旧”事件明显不同于日常生活中的“怀旧”活动。通过文本分析可以看出 ,集体性“怀旧”深刻反映了东方民族的心理—文化积淀结构。
This thesis is about to examine the consciousness of “Nostalgia” and its aesthetic expressions in the literary texts from the opinion of philosophical ontology. This thesis is to find out the basic theoretical surroundings deep into the bottom of nations' tradition and culture, until to arrive the Lebenswwelt. “Nostalgia” in the literary and artistic works is a kind of aesthetic activity which is different from that in daily life. Through the analysis to the “Nostalgia” in the literary texts,this thesis assume that collective “Nostalgia” are the mirrors which deeply reflected the constructions of the eastern national characters and psycho-cultural accumulations.
出处
《佳木斯大学社会科学学报》
2004年第6期60-62,共3页
Journal of Social Science of Jiamusi University
关键词
“怀旧”意识
哲学本体论
心理-文化积淀
文艺美学
consciousness of “Nostalgia”
philosophical ontology
psycho-cultural accumulations
literary and artistic aesthetics