论北朝墓壁画的艺术风格

本文在对北朝壁画墓分期分区的时空框架基础上,从题材选择、人物造型和线条特征等方面具体分析了北朝墓壁画的艺术风格:第一期人物造型稚拙,多为侧面形象,人物形体细长,多用直线造型,线条内敛,不饱满,总体比较呆板,缺乏立体感;第二期则受南朝影响,人物造像与用线都有大的发展,线条较具表现力,穿插关系较为肯定;第三期为北朝壁画墓发展的鼎盛时期,各地区逐渐形成各自的特点,艺术风格形成了多元化的局面,究其成因应与诸多因素有关,比如墓葬等级及壁画具体的制作方式等。

According to the framework of time and space, this article analyses the art style of the tomb murals of the Northern dynasties through the shape of the figure,the character of the line and so on. During the first stage, the shape of the figure is crude and childish. The pose is stiff and most of them are slim profiles. The lines they used are straight and convergent. During the second stage,the style were influenced by the Southern dynasties.The tomb murals developed rapidly. The lines are more expressively and the cross relation of them is more affirmative. The third stage is the prime of the tomb murals of the Northern dynasties and different art style formed in each area. Considering the reason of the pluralism of the art style, it may be many-sided, such as the degree of the tomb or the concrete make.