摘要
郭沫若以诗人的气质与激情,以史学家的精湛研究,以革命家的远见卓识,将历史故事和历史人物搬上舞台,使他的历史剧有了独特的风格。以史学家作剧,在大关节目上不失历史之真实;以诗人作剧,则剧中充满诗的韵味;以革命家作剧,则能紧紧地握住时代的脉搏,具有强烈的时代意义。因此可以说郭沫若的历史剧是史、剧、诗和谐的统一。
Guo Mo-ruo is with the poet's makings and passion,with the historian's consummate research,foresight and sagacity of revolutionary, present historical story and historical personage on the stages, makes his historical play have a unique style. The historian makes drama, which does not lose history truth on the big joint eye; The poet makes drama, which is then full of sophisticated appeals of poem in the drama; The revolutionary makes drama,which can hold the pulse of the times tightly,and has strong era meanings. So we can say,Guo Mo-ruo's historical play is harmonious unity of history, story, drama and poem.
出处
《黑龙江社会科学》
2005年第3期89-91,共3页
Social Sciences in Heilongjiang
关键词
文学创作
郭沫若
悲剧观
literary creation
Guo Mo-ruo
tragic view