摘要
20世纪初,各种激进主义思潮传入中国,对中国文学的发展产生了深刻影响。面对内忧外患,中国文学背负着沉重的负担,"启蒙"与"救亡"的时代要求,表现在文学上功利色彩日益浓重,意识形态的规约抑制了文学的多元化发展。文学工具化的理论削弱了文学自足性的价值,战争环境下的思维方式影响了对文学的价值判断,忽视了对文学的审美要求,造成对作家及作品非此即彼的线性思维评价方式。一元化的评价标准限制了多元化的发展格局,对20世纪中国文学产生了深远的影响。
In early 20th century, different radical ideas were spread into China and left great influence on the development of Chinese literature. Being faced with domestic unrest and foreign invasion, Chinese literature shouldered a heavy burden, showed more utilitarian features to meet the needs of 'enlightenment' and 'salvation'; and the ideology at that time restricted the development of multi-literature. Instrumental literature theory weakened the self-satisfaction of literature, the mode of thoughts under the war environment affected the evaluation of literature, aesthetic requirements were neglected, came into being the assessment mode of linear thought so far as writers and works were concerned. Mono-standard assessment restricted the development of multi-literature and left an everlasting influence on Chinese literature of 20th century.
出处
《西北民族大学学报(哲学社会科学版)》
北大核心
2005年第3期111-119,156,共10页
Journal of Northwest Minzu University(Philosophy and Social Sciences)