摘要
分析新石器时代大汶口文化遗址出土的陶尊上刻划符号“”,结合仰韶文化庙底沟类型彩陶鸟纹的演变、良渚文化玉器上刻划的鸟纹图像,大汶口文化陶尊上刻划的符号“”应是鸟的简化和变形,是巫师借用来沟通天地的巫术符号。
A carved symbol was found on the pottery Zhun in Dawenkou site of Neolithic age. Comparing the bird pattern development on the painted pottery of Miaodigou,Yangshao culture and on the jade article of liangzhu culture, the author is sure that the carved symbol of Dawenkou culture is a transfiguration of bird patterns, and it is a mediumistic symbol to contact the heaven and the earth.
出处
《东南文化》
北大核心
2005年第3期12-14,共3页
Southeast Culture
基金
东南大学资助课题:"中国艺术考古学论纲"。课题号9213042154
关键词
大汶口文化
鸟纹
巫术符号
Dawenkou culture Bird Patterns Mediumistic Symbol
