摘要
在整个20世纪中国文学史上,新时期无疑是语言探索最积极、活跃的一个时期。经过20多年的探索,文学语言与日常语言真正拉开了距离,它的身上聚集了越来越多美的素质、艺术的素质。汉语文学语言在实现了从文言到白话的切换以后开始更多地具有了那种不可化约的文学性。从文学语言自身的特点出发,新时期作家给以更多关注的不是客观地描写生活,而是激发读者的记忆和想象,让读者在想象中创造生活。从这个角度入手,他们在句式和词语的变换、隐性夸张、语言的超常使用和语言风格的粗砺、杂色、审丑等方面都进行了多方面的探索并取得了突出的成就。
<Abstrcat>During the 20th century, linguistic research was most active in the new vernacular. After twenty year's research, the literary language has developed to have more and more aesthetic and artistic qualities than daily speech. Chinese literary language has had much more literary traits after it changes from classical Chinese to the new-vernacular. The writers in the new period don't put much stress on objective description of life any more in accordance with linguistic characteristics. Instead they enable the readers to create life by arousing their memory and imagination. They have made great achievements in sentence patterns, variation and recessive exaggeration of words and expressions, language's abnormal use and language style's coarseness, variegation and ugliness.
出处
《扬州大学学报(人文社会科学版)》
北大核心
2005年第3期35-40,共6页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
基金
国家社会科学基金资助项目(04BZW040)<20世纪中国文学语言变迁史>(张卫中主持)
江苏省教育厅人文社会科学计划项目(03SJD740022)<新时期文学变异修辞现象研究>(江南主持)
关键词
文学语言
新时期
探索与试验
new vernacular
literary language
research and experiment