马克思主义及其运动:文化霸权理论的前奏曲

Marxism and its Operation: Prelude to Cultural Hegemony

葛兰西的文化霸权理论不是凭空产生的,它有其前奏曲。其产生既有无产阶级现实斗争需要的原因,也是经典马克思主义文艺思想的逻辑发展,还包含了对无产阶级革命经验的总结。针对国内学界对文化霸权理论的“误读”,有必要对其进行“历史性”的还原与反思。

The paper holds that Antonio Gramsci's theory of cultural hegemony was heralded by the practical need of the proletariat in their struggles and the Marxist theorizing of culture and arts. It is, to a certain degree, a summary of the experiences of the proletariat revolutions. The paper further clarifies the misreading by Chinese scholars of the term 'cultural hegemony' and redefines it in its historical context.