摘要
词发展到北宋中期,苏轼及其弟子对词诸方面进行了新的诠释,其突出点是表现在词的同体异用,主要点是对词之传统性的反动,有意识地破坏词体的固有特点,更多的是引导词体对诗体的认同。以诗为词,古今均有探讨,多是从创作手法、艺术风格、文体递变等处比照分析,在词的文本方面用功甚深。而词的同体异用现象的产生,是与苏、黄等人对词体定位、有意识地引导和创作分不开的,是他们促使词体的雅化和开放,以及回避诗歌创作诸种因素合成作用的结果,具有一定的时效性。
In the middle of the Northern Song Dynasty, Su-shi and Huang Tingjian etc. wrote Ci as a form of poetry. This is a reaction to the traditional trammel of Ci. More importantly, this is a guide to the transition from Ci to poetry. This paper elucidates the emergence of this phenomenon and its time limited efficacy.
出处
《南京师大学报(社会科学版)》
CSSCI
北大核心
2005年第3期100-104,共5页
Journal of Nanjing Normal University(Social Science Edition)
关键词
苏轼
黄庭坚
同体异用
词体
different use
the same genre
fixed position
synthesize the function
time limited efficacy