徐坤创作转型与女性主义文学式微的动因管窥

Motivational Researches on Variations in Xu Kun's Creation and Declining Feminine Literature

徐坤的《相聚梁山泊》对中国目前的女性意识特点和女权主义者的现状做出了形象深刻地认识和揭示,通过对徐坤创作转折标志之作的重新解读,以斑窥豹可得到这样一种认识:找不到女性自我言说方式使作家无法言说,男权文化的异常强大使作家无力言说,女性写作中普遍存在的资源匮乏使作家无话可说,这种种写作困境促成了徐坤的创作转型,也成了女性主义文学后继乏力的症结所在。

Xu Kun's writing “Getting Together in Lake of Mount Liang” looks deeply into the current traits of feminine sense and the status quo of feminists. Through re-reading this work marking the variation in Xu Kun's creation, the author perceivs that the unavailable feminine discourse mode, the rampant chauvinistic sense and the lack of feminine writing materials avail the writers of no expression, and this impasse of literary writing is the crux of the lack in motivation of the successive feminine writings, which also presses Xu Kun to take up a variation in creation.