摘要
萧虹与林海音都曾以孩童的眼光作为聚焦来表达对故乡的思念和对童年的美好回忆.然而个人经历的不同造成了不同的叙事视角和不同的叙事色调。单纯的儿童视角的运用使林海音的童年回忆温柔敦厚,色彩明丽;儿童视角复调方式的渗入却使得萧红的童趣表现背后透露出成人世界的重重叹息。两人对女性命运的不同思考,在其作品中通过女性主人公的不同遭遇与人生结局表现出来。萧红命运多舛,不幸的生活、不幸的出走经历使她永远悖离了传统的家.同时也使其作品获得深刘的悲剧性;林海音由于女儿情结的牵绊.回归传统,归于温文儒雅。
Both XIAO Hong and LIN Hai-yin have described in their novels their homesickness and beautiful memories of childhood from children's perspective,but their different life experiences resulted in their different narrative perspectives and tones.From a pure and single children's perspective,LIN has brought the readers tender,bright and colorful memories of childhood,while XIAO,from a polyphonic perspective,has voiced children's happiness blended with adults' long sighs.Their different ponderation over women's fate has found expression in the heroines' different lots and their novels' different endings.XIAO has suffered many a setback during her life.Her misfortunes and compulsory departure from her home necessarily resulted in her departure from the traditional home and added to her novels a deep tragic color.LIN,because of her feminity,has returned to the traditional home.Her novels are full of tenderness.
出处
《株洲师范高等专科学校学报》
2005年第4期56-58,62,共4页
Journal of Zhuzhou Teachers College
关键词
萧虹
林海音
个人经历
叙事策略
儿童视角
女性视角
XIAO Hong
LIN Hai-yin
personal life experiences
narrative strategy
children's perspective
women's perspective