摘要
在中国古代,审美文化可归纳为"气之精神",中国古代服饰普遍贯注了"气之精神"。古代服饰稳定的形式、总体特点以及用色制度等都体现了一脉相承的"气"的完整性和稳固性,然而另一方面,这种"气之精神"也不可避免地给服饰的多样化发展带来限制。
<Abstrcat> In ancient China, the culture of taste was provided by'gas spirit',and the ancient costume was all affected by the 'gas spirit' too.The ancient costume of china shows the character of integrity and stability in some aspects, such as the unaltered form and structure, the general character and the custom of using color. While the 'gas spirit' limited the costume multiformity at the same time.
出处
《浙江科技学院学报》
CAS
2005年第2期131-134,共4页
Journal of Zhejiang University of Science and Technology