摘要
王安石的七绝在取法白居易绝句与晚唐咏史绝句的过程中,发展出宋调特征;对杜牧、李商隐、韩亻屋等人七绝艺术的取法与创变,形成了雅丽精绝的艺术境界,宋人认为荆公之作回复唐音,主要是针对这类作品而言,但王安石在其中表现了新的艺术个性,开拓了新的诗境,并非对唐音的简单复归。王安石的五绝取法中晚唐五绝精巧细腻的特点而更富于变化。荆公绝句是宋代诗史上的独特现象。
Wang Anshi's Qijue poetry shows poetic charm in trivial matters and argumentataive style which made it typical of the Song poetry. This could be traced back to the influence of Bai Juyi's Qijue poetry and that of the Middle and Later Tang period, which are characteristic of the argumentative style. The influence of Du Mu, Li Shangyin could also be found in Wang Anshi's Qijue poetry. In the opinion of the poets in the Song Dynasty, Wang's Qijue showed the style of the Tang poetry. Wang Anshi's Wujue poetry imitated the Wujue poetry of the Middle and Later Tang Dynasty for its refined and smooth features, but with a lot of creative modifications. This has been known to be a peculiar phenomenon in the history of the Song poetry.
出处
《广西师范大学学报(哲学社会科学版)》
2005年第2期50-55,共6页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
关键词
王安石
七绝
五绝
宋调唐音
艺术个性
Wang Anshi, a famous poet of the Song Dynasty
Qijue, a four-line poem with seven characters to each line and a strict tonal pattern and rhyme scheme
Wujue, a four-line poem with five characters to each line and a strict tonal pattern and rhyme scheme
tonal pattern of the Song Dynasty and rhyming scheme of the Tang Dynasty
individuality in art