死亡:一个独特的全知叙事视角——阎连科小说死亡书写浅探

Death: A Particular Angle of View of Omniscient Narration

阎连科的小说极容易给人留下深刻印象,原因当然是多方面的。文章抓住了它的一个重要特点即叙事视角上的独特性进行论述。与当代一些作家如余华、史铁生、陈村一样,阎连科的小说里也充满了死亡。所不同的是,在他笔下,死亡成为一个功能丰富而强大的叙事视角,而且是一种全知叙事视角。他让死去的人物作为叙述者,通过他们的眼睛来观察、体悟人事,展开故事情节。文章分析了这种叙事的魅力,也阐释了其背后的人文内涵。

We have been impressed deeply by the novels of Yan Lianke. The thesis discusses the particular angle of view of omniscient narration- which is an important feature of his novels. Yan Lianke refers to death time after time in his novels as the same as contemporary writers such as Yu Hua- Shi Tiesheng and Chen Cun. And the death in the novels of Yan Lianke becomes not only an abundant and powerful narrative angle of view but also an angle of view of omniscient narration. Yan Lianke regards the dead in his novels as a narrater to observe and apperceive the world. The thesis analyses the narrative method and explains internal humanism meaning.