民族器乐作品的标题研究

The Title Study of National Instrumental Music

从乐器的起源到独立的器乐曲标题的产生,从具有人文意义的标题命名到标题的完善,历经了一个漫长的历史演变过程,这个过程深深地烙下了我国音乐发展的历史印记。标题的源流、分类及其变易现象,标题性音乐与非标题性音乐的美学原则,音乐标题与文学之间的关系,标题中所反映出的民族审美心理特征等问题,反映了中国传统音乐文化传承中的一些特点。弄清这些关系,对于当代民族器乐作品的创作与欣赏有着重要的指导意义。

There is a very long and historical evolution from the origin of instruments to the appearance of the titles of independent instrumental music, and from the naming of titles of cultural denotation to the perfection of the titles. This development bears the profound history of the evolution of Chinese music. The origin, classification and variation of the titles, the aesthetics principles of titled and untitled music, the relationship between music titles and literature and the characteristics of national aesthetic appreciation reflected in the titles display the characters in the passing-on Chinese traditional music culture. Clarifying these relations has significant guide in the creation and appreciation of modern national instrumental words.