摘要
在传播学领域,后现代女权主义学派以颠覆高雅/低俗、精英/平民、权威/民主之区分标准的研究旨趣,重点观照女性受众在传播领域里的人权诉求——对于通俗文化的审美权-解读权,以批判精英主义意识形态-弘扬平民主义意识形态之特立独行姿态,积极肯定女性受众解读通俗文化的主观能动性和收视乐趣,其“受众喜欢通俗文本也是反抗性别压迫的一种方式”之主张,一扫其他女权主义学派的悲观之气,颇有空谷足音的意味。
In media communications, Post-modern feminists have been seen wrestling collectively with the definitively established orders of what is considered classical and popular, blurring the definitions of the heroic and common, power and democracy. They are particularly concerned with the cinematic quest for female identities as well as inserting their rights to address pop -culture to viewers in their own idiom. By slapping the classical ideology, they are fascinated with pop-culture story-telling and female receptions. Firm with the idea, ' the audience's enjoyment with pop-culture context being a form against gender oppression,' they have totally done away with the pessimistic sentiments groaned by other feminist groups, which make them so uniquely stand above the crowd.
出处
《北京电影学院学报》
CSSCI
北大核心
2005年第3期1-7,105,共8页
Journal of Beijing Film Academy