模拟与真实:唐代女性诗歌的双重意味

Simulation and Objectivity: the Dual Sense in Female Poem of Tang Dynasty

能否真实书写女性的性情,展示属于自己的价值判断,是区分唐代女性诗歌模拟与真实的分界点。从本质而言,它体现了女诗人对男性中心文化的依附或背离。

Whether female disposition is described objectively and their valuation is presented or not is the distinction between simulation and objectivity in female poetry of Tang Dynasty. Essentially,it is poetesses that depend on or deviate from the male-centered culture.