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古代审美感应论 被引量:3

Chinese Ancient Aesthetical Induction Theory
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摘要 审美感应论是中国古典美学中关于审美感情发生的经典理论,具有深刻而丰富的理论内涵,其功能既体现在审美创造方面,也体现在审美欣赏方面。审美感应论涉及审美活动中的主客体关系、艺术活动的本质及古代艺术的审美理想等重大理论问题。古代宇宙创生论及“天人合一”等哲学思想影响了审美感应论的生成。审美感应论在今天仍具有重要的意义和价值。 Aesthetical induction theory is a classical theory which is about the feeling production in Chinese ancient aesthetics. It has profound and abundant theoretic connotation. It has the function of aesthetical creation and aesthetical enjoyment. It deals with some important theoretic factors, such as the relation between subject and object in aesthetical activities, the essence of art activities and the aesthetical ideal of ancient arts. Such ancient philosophy thoughts as universe creation theory and 'the combination of heaven and man' affect the formation of aesthetical induction theory. The aesthetical induction theory still has an important meaning and value today.
作者 吴建民
出处 《徐州师范大学学报(哲学社会科学版)》 2005年第4期43-47,共5页 Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
关键词 审美感应 审美感情 审美创造 aesthetical induction theory aesthetical feeling aesthetical creation
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参考文献4

  • 1上海古籍出版社.四部精要(一)[M].上海:上海古籍出版社,1992.
  • 2刘熙载.刘熙载集[M].上海:华东师范大学出版社,1993.
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