摘要
从“心”、“物”的哲学观出发,时西方以主体(“心”)独立于客体(“物”)之外的二元论思维下的和中国以“心”“物”合一的一元论思维下的艺术创作与审美形态及样式作了对比,充分肯定了中国艺术思维中的“心”与“物”的互动和统一优于西方的艺术思维。
Based on the philosophy of 'Mind' and 'Matter', the author of this paper compares the artistic creation and aesthetic modes between the western dualism thoughts whose 'Mind' is out of 'Matter' and the oriental monism thoughts whose 'Mind' and 'Matter' combine together. It fully affirmes the mutual action and unity of the 'Mind' and 'Matter' in the oriental artistic thoughts which is superior to western artistic thoughts.
出处
《衡阳师范学院学报》
2005年第2期131-134,共4页
Journal of Hengyang Normal University
关键词
物
心
绝似
绝不似
天人合一
'Mind'
'Matter'
resemblance
opposition
a union made by nature and human