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论20世纪末美国音乐创作的“文化共融主义” 被引量:1

Cultural Syncretism of American Music Composition in the 1990s
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摘要 20世纪末美国出现了“文化共融主义”音乐创作流派,其音乐体现了作曲手法和作品内容的综合性。他们挖掘一切可以利用的音乐素材和手段,注重从不同音乐文化背景中吸取创作养料,表现出跨文化多民族的音乐风格,以及用多元化音乐语言来展现音乐艺术的共融。 Syncretism of American music culture appeared in the 1990s. Music composed by musicians of cultural syncretism shows a combination of composing methodologies. It borrows all sorts of music materials and means of expression possible, and derives its sources from different music cultures. By means of a multi-music-discourse, such music expresses the syncretism of different music styles.
作者 王珉
机构地区 厦门大学音乐系
出处 《厦门大学学报(哲学社会科学版)》 CSSCI 北大核心 2005年第3期110-114,共5页 Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
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参考文献5

  • 1WILEY L. HOUSEWRIGHT. Youth Music in Education. [J]. Music Education Journal, 56 November 1969.
  • 2THOM HOLMES. Electronic and Experimental Music[M]. NY: Routledge, 2002.
  • 3GANN KYLE. A Musico- autobiographical essay[EB/OL]. http://home.earthlink.net/~ kgan January, 1997.
  • 4DALE A. OLSEN. Globalization, Culturation, and Transculturation in American Music [ A ]. Reflections on American Music: The Twentieth Century and the New Millennium[C]. Ed. by JAMES R. HEINTZE and MICHAEL SAFFLE.NY: Pendragon Press, 2000.
  • 5ALEXANDER HEYWOOD. To Stretch Our Ears: A Documentary History of America's Music[M]. NY: W. W.Norton, 2002.

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