摘要
新中国十七年的戏剧舞台形成了“话剧———戏曲二元结构”的崭新戏剧文化生态,其基本特点是:话剧舞台和戏曲舞台共生互补、竞相辉映;一方面斯坦尼斯拉夫斯基演剧体系全面推行,中国话剧演剧流派初步形成;另一方面戏曲剧种百花齐放,表演艺术流派纷呈。
The new China’s drama stage of the seventeen years has formed a dual structure of drama and Chinese opera with the characteristics of simultaneous and complementary development of stage drama and Chinese stage opera. On one hand, the Stainislvsky histrionism has been put into practice throughout China and Chinese drama histrionism has been constructed originally; on the other hand, Chinese operas and performances have showed variant genres like a hundred flowers blossom.
出处
《三峡大学学报（人文社会科学版）》
2005年第3期38-43,共6页
Journal of China Three Gorges University(Humanities & Social Sciences)
