人本生态美学的几个回归和深化

On the Regression and Deepening in Humanist Ecological Aesthetics

生态美学或生态论美学的提出,其要义首先是美学自身的思想基础和学理内含的调整以至重建。人本生态美学超越了人类中心主义和生态中心主义之间的尖锐对立,以人类生态存在的视野,在人本和生态两者之间实现目的和基础的统一。在审美活动的生态本性、生态美的实际功能和对实践的生态性质等问题上,它要求向自然本体回归从而实现学理上的深化。这种与生态文明建设的需要相适应的美学,也为科学与人文的沟通和交融提供了可靠的学理基础。

The establishment of ecological aesthetics, first of all, stipulates the adjustment and even reconstruction of ideological basis of aesthetics and its academic content. The humanist ecological aesthetics goes beyond the sharp confrontation between human centralism and ecological centralism, and in view of human ecological existence, realizes the unity of aim and basis between humanism and ecology. In the problems like ecological nature of aesthetic activity, practical function of ecological beauty and ecological nature to practice, it demands regression to the essence of nature so as to realize its academic deepening. This kind of aesthetics that keeps in line with ecological construction provides a dependable academic base for communication and combination between science and humanities.