摘要
“存在”和“拥有自我”之间不可逾越的距离使人类失去了中心位置。伊塞尔在文学人类学的理论构架中试图通过探讨象征性的阐释、文学的虚构及否定性和文学的“上演”等这些属于人类学范畴的经验要素,以期人类在一个可能的世界重新拥有自我。
The insurmountable distance between “being” and “having oneself” decentered human beings. In his literary anthropology, Iser tries to analyze the practical elements as follows: symbolic interpretation, literary fiction and negativity, and literary “staging”, which belong to the area of anthropology. Human beings may thus have oneself in a possible world.
出处
《南京财经大学学报》
2005年第2期102-104,共3页
Journal of Nanjing University of Finance and Economics
关键词
伊塞尔
文学人类学
上演
Iser
literary anthropology
staging
