大师,艺术的最终幻象

A Master, the Last Phantom of Arts

大师和经典是造型艺术所企望的高峰,但这座高峰并不存在于子虚乌有之处。一本本经典图像史总是被并非出自于图像志本身的某种动机所左右:人文情绪、技术性、以及“观念”和“操作”的蒙蔽使之成为耀眼而不可及的伟大幻象,让我们忘记了在艺术的本质上即是对自身及世间万物的感性认识这一艺术的基本立场上观照艺术。

A master or a classic is not only the expected peak of plastic arts, which does not exist in nothing. A book of graphic history is always dominated by some intention that is not from the iconography itself. The misleading appearance of human mood, technology, 'idea' and 'operation' makes the peak a great flashy but untouchable phantom. And it causes us to forget to pay more attention to arts according to art nature, the basic standpoint of arts, the perceptual knowledge of all the materials in the world.