谢朓诗声律的接受史考察

Investigation on the Acceptance History of the Tone and Rhyme in Xie Tiao's Poems

谢诗歌是"永明体"的典型代表,对唐代格律诗的形成具有非常重要的影响。要弄清中国古典诗歌从古诗到近体诗演进过程,则必须研究谢诗之声律的接受状况。其间有三个极为重要的关捩:一是沈约、钟嵘与"调与金石谐"的论断;二是以《四声指归》为代表的北朝及隋对小谢声律诗的传播与接受;三是《文镜秘府论》所代表的唐代的接受状况。连点以成线,共同构成了谢之后世诗人及文学理论家对谢诗声律的承继与接受轨迹。

Xie Tiao's poem typically represented the'Yong Ming style', and significantly influenced the formation of poems of metrical pattern in Tang Dynasty. To understand the evolving process of Chinese classical poetry from old poems to contemporary poems, we must study the acceptance state of tone and rhyme in Xie Tiao's poems. There are three very important corrections: firstly, the argument of Shen Yue and Zhong Rong; secondly, the spreading and accepting of Xie's metrical poems in Bei Chao Dynasty and Sui Dynasty; lastly, the acceptance state in Tang Dynasty. Altogether, poets and literary theoreticians established the inheritance and acceptance track of Xie's poems after Xie Tiao.