浅论“群体形象”在话剧《思凡》中的运用

Elementary analysis of application of Group Image in play Si Fan

拟以戏剧舞台上处于次要角色的“群体形象”作为中心论题,以《思凡》为例,探讨“群体形象”在孟京辉先锋戏剧中发挥的重要作用。笔者将就布莱希特戏剧理论及其作品加以比较分析,并以其为参照系对希腊歌队和中国传统戏曲进行回顾对比,从文本叙述、舞台调度两个层面进行探讨。从布莱希特到孟京辉,虽然“群体形象”始终只能是配角,可是在一度、二度创作中的巧妙运用,使其永远具有独特的美学特征和功用,必将继续活跃在当代戏剧舞台上。

This article is supposed to make the secondary role on drama stage - “Group Image”as the discussion topic and take the famous play Si Fan for examp le to analyze the important part “Group Image”plays in Meng Jinghui's drama. T he author will contrast Brecht's drama theory and usage of “Group Image”in his plays with Meng Jinghui's. Besides,we can take Brecht as a bridge to recall the ancient Greek tragedy chorus and Chinese traditional drama features.It's design ed to analyze from two different layers:text narration and stage direction. From Brecht to Meng Jinghui, although the Group Image can't be the main character in plays, its flexible application makes it have special aesthetical feature and f unction.It must be safe to say that Group Image will always play active role in modern drama stage.