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论庄子之梦的文化地位 被引量:7

The Position of the Dreams in 'The Book of Master Zhuang' in the History of Culture
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摘要 庄子之梦承袭并突破了前人梦描摹时的梦魂宗教崇拜之神学性思维模式,将虚构的梦纳入作品,借梦象释理抒情,跨越了哲学常规的逻辑说理方式。他以梦为文所开创的梦象艺术,打通了入梦窥视心灵及社会隐秘的艺术渠道,使梦文学成为映射社会文化的特异窗口,从此正式拉开了中国梦文学艺术发展序幕,在文化史上有重要地位。 <Abstrcat>The dreams in 'The Book of Master Zhuang' inherit and out-break the theological thinking mode of religion worship in dreams of the predecessors in describing the dreams. Master Zhuang takes the dreams in his work and tires to interpret the truth and express his feelings by means of dreams, which surpasses the conventional logic reasoning in philosophy. His art of dream images in his descriptions of dreams in his work opens a channel of art for people to see the soul and social secrets by dreaming and makes dream literature into a special window to perceive the social culture. From then on, the dream literature comes into being, and takes an important position in the history of culture.
作者 张兰花
出处 《商丘师范学院学报》 CAS 2005年第3期100-103,共4页 Journal of Shangqiu Normal University
关键词 庄子 梦文化 梦象艺术 文化地位: Master Zhuang (The Book of Master Zhuang) dream dream culture dream art cultural position
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参考文献9

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