“娜拉走后”的两性风景——以几个文本为个案

The Sexual Scenery of “After Nala Goes Away”: A Study of Several Typical Texts of Such

鲁迅在“五四”时期提出的“娜拉走后怎样”,成为一个世纪以来思考妇女前途命运的重要话题。不同的时代的回答都铭刻着时代意识形态的烙印,都对应于那个时代妇女解放的程度,显示着两性之间的关系特征。从《伤逝》、《五四遗事》、《纸婚年》、《暗示》以及《厨房》等几个典型文本可以清晰看出,“娜拉”经历了一个由沉默被动的客体变成有自主意识的言说主体、经验主体和欲望主体的精神流变。

During the May Fourth Movement,Lu Xun puts forward the subject of what it will be“after Nala goes away”,which has become one of the most important topics considering womens future and destiny lasting for one century.The times brand of ideology is all being engraved on mind in the answer of the times differencesin accordance to the emancipation of women and the related characteristics between both sexes within that period.From the narrated several typical texts such as Mourning the Death,May Fourth Movement Incidents of Past Ages,Paper Wed Year,Hints as well as Kitchen,and so forth,we can distinctly make out that Na La has gone through a change from the reticent passive object to putting into words main body which is conscious in its dependence,experience subject and the spirit of desire.