二人转的野性空间

Wild Space of Er Ren Zhuan

东北人心中的二人转绝不仅仅是形式上的技艺杂耍,绝不仅仅是无意味的笑,它是东北民众自然而然的人生体验表达,它是苦寒东北人的“开心钥匙”。民间艺人与民间观众在二人转观演时空里无拘无束地大胆创造,尽情释放着自己的情感。它是博大的,自由的,野性的。在这个“市场时代”里,二人转发生了种种变异,面对二人转的当代存在状况,追述其厚实的文化艺术传统,我们发现二人转这种“间性”艺术品格源于二人转“二”的形态。

'Er Ren Zhuan'absolutely is not only the technical and acrobatic show in the form from the northeast persons'view ,but only the laugh and smile without meanings ,since it is natural explaination and demonstration of experience in the northeast person's life and the key with which northeast persons in the cold and hard environment go after enjoyment.and seek pleasure.Both actors and spectators in the performance environment of 'Er Ren Zhuan' create courageously and unrestrainedly ,display themselves to the full and express their feelings as free as possible.It is rich ,free and wild .In the age of market,there are many changes and variations facing this matter of 'Er Ren Zhuan' how to exist and develop and recalling its thick and solid tradition of culture and art , we think that the character of 'Er Ren Zhuan 'that is called a kind of mutual art originated from the form of doubling pieces in 'Er Ren Zhuan '.