摘要
青春偶像剧对于“青春恋情”这一大众母题的开掘落入了唯“视觉化”的误区;“抄袭”与“跟风”的弊病,暴露了当前偶像剧生产中较为落后的生产机制与方式;相对单一、封闭的文化格局,使得青春偶像剧失去了“开放性”和“大众性”。所有这些既影响了青春偶像剧的“收视率”,也断送了自己的艺术提升之路。
The exploitation of “love of youth” goes towards to the crossroad of “seeing and hearing” alone; the abusing of “copy” and “imitation” discloses the backward productive pattern in “youth icon opera” currently;closure and loneliness in cultural setup leads to loss of “open” and “massitivity”. All a bove not only lower the “visual rate” but also hinder the improvement of character.
出处
《浙江工商大学学报》
2005年第3期62-67,共6页
Journal of Zhejiang Gongshang University